Articles features
Frederick Forsyth's 'novel' career in international intrigue (Column: Bookends)
If you want to know how to attempt the assassination of a statesman, 
track a Nazi war criminal, organise a coup in Africa (or avert one in 
Russia), get a false passport, blow up a safe or assemble a bomb 
(conventional or nuclear), then this author will be to your taste. But 
Frederick Forsyth isn't the writer of a terrorist training manual but of
 thrillers whose suspense-laden plots seem ripped from the headlines but
 had an uncanny resonance in the real world.
Forsyth's intricate 
and detailed plots, meticulously researched background and taut writing -
 ensured all his 13 novels were best-sellers - and always in print. His 
first three (and fifth) also became successful films (with the plots 
intact) - a record only bettered by Ian Fleming (though the James Bond 
films hardly reflect the books) or J.K. Rowling's Harry Potter. 
Forsyth
 (1938-) had a colourful life. The youngest Royal Air Force pilot at 19,
 he then switched to journalism - working for newswire Reuters in Paris 
and then with the BBC. Sent to report on the Nigerian civil war (the 
Biafra conflict) in 1967, he protested the decision to pull him out 
after a few months, quit and went back to cover it freelance.
A 
book followed but didn't do well. He then wrote his first fiction work -
 using experiences of his Paris stint - in a little over a month in 
early 1970. "The Day of the Jackal", however, did not interest 
publishers who contended that a plot based on assassinating De Gaulle 
did not possess any suspense as he was still alive. Only after the 
French leader's death - of natural causes - in November 1970 did a 
publisher take it. Coming out in mid-1971, it was a runaway hit and went
 on to be translated into over 30 languages including Hebrew, Chinese 
and Thai.
Taking off from the 1962 assassination attempt, the 
battle of wits (and more) between the assassin and the security 
apparatus - with a twist at the end (or even earlier in subsequent 
works) became Forsyth's style.
The book achieved a strange 
notoriety - devoted admirers included two assassins (that of Israeli 
Premier Yitzhak Rabin in 1995, and the one unsuccessful in targeting US 
President George Bush and his Georgian counterpart Mikheil Sakaashvilli 
in 2005), as well as giving a nickname to the world's most notorious 
terrorist before Osama bin Laden - Carlos the Jackal, based on an 
erroneous report that he had a copy of it.
Familiar for those who
 have used a Holocaust survivor's anguished last testament in school 
elocution competitions, "The Odessa File" (1972) again used a real-life 
incident - President Kennedy's assassination - to start the tale of 
international intrigue and retribution, meshing the Holocaust, elusive 
Nazi war criminals (and growing disinterest in their pursuit), and an 
arms race in the Middle East. A consequence was focus on the book's 
real-life villain, SS officer Eduard Roschmann, then living in 
Argentina, making him flee to remote Paraguay following extradition 
requests.
On a tycoon's attempt to suborn an African nation 
(Equatorial Guinea in all but name) where a valuable mineral is found (a
 plot still relevant in our time), "The Dogs of War" (1974) drew from 
Forsyth's own experiences of mercenaries in Biafra. Coincidentally, in 
1973, Spanish authorities had arrested several people allegedly planning
 a coup in Guinea, while one actually occurred there in 1979 and another
 attempt - the preparations mirroring Forsyth's - in 2004.
"The 
Devil's Alternative" (1979) deals with moral choices before the world's 
most powerful leaders in a crisis (and the subplot of Ukrainian 
patriots' antipathy to Russians seems unusually familiar in this era), 
while "The Fourth Protocol" (1984) features one of the earliest 
instances of state-backed nuclear terrorism (though by a renegade 
faction).
"The Negotiator" (1989) was based on a conspiracy to 
sabotage an arms treaty between the superpowers (and has Mikhail 
Gorbachov in an impressive role), while "The Deceiver" (1991), about 
attempts to push out an unconventional intelligence operative, is an 
epitaph to the Cold War.
Then came "The Fist of God" (1994) on 
Saddam Hussein's weapon programme, "Icon" (1996) set in Russia of 1999, 
"The Avenger" (2003), where a private manhunt for Serb war criminal 
upsets a mission to capture Bin Laden as the story ends September 10, 
2001, "The Afghan" (2006) and "The Kill List" (2013) on terror plots 
against the West, and "The Cobra" (2010) on drug-running. But these six -
 for me at least - pale before the first seven, possibly due to a 
gloomier tone, or the issues suffering over-exposure. 
But 
Forsyth is not done yet - expected this October is his autobiography 
"The Outsider: My Life in Intrigue". Trust the master storyteller to 
save the best for the last!
(05.04.2015 - Vikas Datta is an 
Associate Editor at IANS. The views expressed are personal. He can be 
contacted at vikas.d@ians.in)
 
	 
	 
	 
	 
	 
	 
	 
	 
	 
	 
	 
	 
	
 
		 
		 
		 
		 
		 
		 
		 
		 
		 
		 
		 
		 
		 
		 
		 
		 
		